The Flashcards: 11th Hour - Carnaval des Animaux (2024)

Genre: modern classical, orchestra, soundtrack

11th Hour is one of those doujin music projects that arranges songs from the Touhou Project, and this album's title is inspired by Camille Saint-Saëns' 1886 work Le carnaval des animaux. "Overture" opens in a classical orchestral style, followed by "le régalec" and "le moineau de nuit," which deliver that signature RPG game soundtrack feel. "La tortue" comes across as more spirited, while "le chat" leans more emotional. "Le mouton" is the heaviest of the bunch, with a symphonic rock/metal style typical of this doujin circle, and "la grenouille" closes things out with a more progressive and jazzy blend.

Naturally, I still lean toward my personal preference for emotional tracks like "le chat" and the two RPG-sounding ones mentioned above. Overall, 11th Hour demonstrates impressive skill with great production, and it's definitely worth a listen—especially for fans of Touhou Project music.

Tracklist:

1. l'ouverture

ORIGINAL: 亡失のエモーション

ARRANGER: IceWrenSolstice

2. le régalec (the oarfish)

ORIGINAL: 黒い海に紅く～ Legendary Fish

ARRANGER: Lowlands Blossom

3. le mouton (the sheep)

ORIGINAL: 強欲な獣のメメント

ARRANGER: Albin Sendelbach

4. le lapin (the rabbit)

ORIGINAL: 九月のパンプキン

ARRANGER: JRAFS

5. la tortue (the tortoise)

ORIGINAL: トータスドラゴン～幸運と不運

ARRANGER: crescentia

6. le moineau de nuit (the night sparrow)

ORIGINAL: 夜雀の歌声～ Night Bird

ARRANGER: ssbbmaster

7. le chat (the cat)

ORIGINAL: 死体旅行～ Be of good cheer!

ARRANGER: crescentia

8. la grenouille (the frog)

ORIGINAL: 明日ハレの日、ケの昨日

ARRANGER: NoLegRadish

OVERALL: 80/100

Comments

Breakcore: Subheroine - End. (2025)

77 / 100 End. is Subheroine ’s most immersive and emotionally textured work yet ... Is being a week late enough to make a new release feel cold and stale? Maybe it’s the effect of our fast-paced modern world and the FOMO trend. Who knows. Whatever. Alright then, let’s welcome a new breakcore/drum & bass album (though it runs under 30 minutes) from Subheroine : End. ! End. by SUBHEROINE Released just on November 7 via Japan’s veteran breakcore label, Lost Frog Productions , End . delivers a noticeably more atmospheric vibe this time. So, tagging it as atmospheric drum & bass makes perfect sense, while the “depressive” tag seems to apply only to the cover art. But is that really the case? As always, there are surprises when reviewing music—those unexpected moments that make certain tracks sound more intriguing than expected. The most prominent depressive elements appear in the sampled voice of an anime girl sounding shocked or weakened in...

Electronica/IDM: 4T Thieves - Humanoid (2018)

70 / 100 Humanoid is a compact and tastefully crafted slice of IDM-leaning electronica that blends futuristic elements without overwhelming the listener. I opened my December with an electronica release by 4T Thieves , an EP titled Humanoid , which came out back in February 2018. A brief profile and the project’s track record can be found on RYM or Last.fm , and it’s clear that this act has been active since the 90s, although only arriving on Bandcamp around 2018. Humanoid by 4T Thieves As the name suggests, Humanoid presents a modern environment tinged with a futuristic sci-fi atmosphere, supported by drum work leaning toward IDM and prominent synth/bass that paints the image of a future city gate on “ Elemental .” This is followed by “ Codex ,” which is given a special dose of classic IDM-style glitch effects , and the rest continues into “ The Looking Glass ,” which gives off a nighttime-shadow feel through its slightly dark synth melodies. “Band...

Psychedelic Rock, Experimental: 32 Partials - In Degradation (Part I + II) (2017)

76 / 100 A dual-EP venture that expands 32 Partials ’ sonic universe, In Degradation showcases both their desert-tinged psych rock and a bold leap into experimental ambient/noise. The journey of 32 Partials continues with a descent into desert territory in In Degradation (Part I) , accompanied by an experimental/noise backsound presented separately in In Degradation (Part II) . Both were created during the summer and released together at the end of August 2017. Each EP contains three tracks, so I figured it would be more efficient to summarize them in one review instead of two. In Degradation (Part II) by 32 Partials What’s presented first is a Middle Eastern–styled rock performance using bouzouki and flanged guitar without distorted accompaniment, making it less clearly aligned with desert/stoner rock . The same goes for the two psychedelic rock tracks that follow—they don’t feature synths as strongly as the previous release, but overall t...

Search This Blog