Skip to main content

Breakcore: Subheroine - End. (2025)

77 / 100
End. is Subheroine’s most immersive and emotionally textured work yet ...
Is being a week late enough to make a new release feel cold and stale? Maybe it’s the effect of our fast-paced modern world and the FOMO trend. Who knows. Whatever.

Alright then, let’s welcome a new breakcore/drum & bass album (though it runs under 30 minutes) from Subheroine: End.!

Released just on November 7 via Japan’s veteran breakcore label, Lost Frog Productions, End. delivers a noticeably more atmospheric vibe this time. So, tagging it as atmospheric drum & bass makes perfect sense, while the “depressive” tag seems to apply only to the cover art. But is that really the case?

As always, there are surprises when reviewing music—those unexpected moments that make certain tracks sound more intriguing than expected. The most prominent depressive elements appear in the sampled voice of an anime girl sounding shocked or weakened in “Level Upper,” and the introspective monologue in “Echoes of Self.” Subheroine also offers catchy melodies on that track, as well as on “Delusion” and “Consider.” Meanwhile, “Decay Loop” and “Glitch Angel” are fairly upbeat, bursting with synthwave-style energy.

For the first three tracks, I honestly had a hard time figuring them out—it almost made me give up, since I couldn’t find much flavor at first. But over time, they began to make sense: “Divine Reboot” carries a hint of trance, while “Soliloquy in the Void” specifically leans toward psytrance. “Decay Loop,” in fact, was a last-minute addition to my upper picks while writing this review. Also, one passenger returns from the previous EP—“hOPe2Sxc”—now remastered and sitting in the sixth spot of the nine-track lineup. It happens to be the most technical piece of the bunch.

Although I faced some initial difficulty, End. ultimately proves Subheroine’s growth in crafting engagement and successfully evokes the atmospheric feel of a dystopian world. I have a hunch that this might mark the end of Subheroine’s musical journey but again, that’s just my feeling. Let’s wait and see what happens next. And if you sense the same, go ahead and enjoy this album before it disappears into a lost archive.

Comments

Popular posts from this blog

Electronica/IDM: 4T Thieves - Humanoid (2018)

70 / 100 Humanoid is a compact and tastefully crafted slice of IDM-leaning electronica that blends futuristic elements without overwhelming the listener. I opened my December with an electronica release by 4T Thieves , an EP titled Humanoid , which came out back in February 2018. A brief profile and the project’s track record can be found on RYM or Last.fm , and it’s clear that this act has been active since the 90s, although only arriving on Bandcamp around 2018. Humanoid by 4T Thieves As the name suggests, Humanoid presents a modern environment tinged with a futuristic sci-fi atmosphere, supported by drum work leaning toward IDM and prominent synth/bass that paints the image of a future city gate on “ Elemental .” This is followed by “ Codex ,” which is given a special dose of classic IDM-style glitch effects , and the rest continues into “ The Looking Glass ,” which gives off a nighttime-shadow feel through its slightly dark synth melodies. “Band...

Listening Notes: Playlist Clearance Vol. 1

If a store has a term called clearance sale, then I have a new agenda called playlist clearance . This agenda is meant to clean up releases sitting on my playlist shelves—sometimes for months—without any written listening notes. This matters a lot to me personally, since I prefer listening to music offline rather than streaming, even though platforms like Spotify also offer offline features. I’m already too used to downloading music, even if it means I’ll probably never really get into mainstream artists, which automatically reduces public attention. Hahaha… As for that issue, I do have my own alternative—but for now, I don’t yet have a map to avoid being overwhelmed and confused when diving into streaming platforms just to consume popular releases. Alright, back to cleaning up the playlist. What’s in here this time? Let’s take a look! Abraham – Débris de mondes perdus (2022) 73% Sometimes music can feel like a stab—or a cause of headache—like this fourth album from Sw...