Skip to main content

The Flashcards: Schönberg - Splendid Rosa Birth (2011)

75/100

Genre: Symphonic power metal

The Japanese music scene truly feels amazing and holds its own unique, magical effect over listeners, especially when fronted by a female vocalist like Schönberg here.

As a power metal band, their point of reference is naturally Europe—which can be seen right from their name, similar to Versailles. The formula they use is also quite close to Pathfinder, namely classical riffs and several symphonic interludes. Schönberg doesn't emphasize speed the way that band or their predecessor, Dragon Guardian, does; instead, they deliver through Naru's singing, particularly on the tracks featuring the word Rosa. Well, her style is somewhat comparable to Fuki (Unlucky Morpheus, Light Bringer), meaning she doesn't quite hit a full soprano register, staying just below that typical standard. It doesn't need to be grandiose, but her melodies still find a way into your soul.

And... as usual. A few songs have risen to the surface during this third spin, which adds value to the album. Yes, it’s quite recommended and definitely better than my memory of their peers, Grand Finale—even though I personally still don't like it when there's more than one ballad sitting in the same room.

Tracklist:

 1. 聖ロサRevelation -紋章にかかる綾- (Holy Rosa Revelation -The Twill on the Crest-)

 2. ロサ・シリウス (Rosa Sirius)

 3. 黒薔薇のシセロ (Cicero of the Black Rose)

 4. Vin rouge blue(s)

 5. 暁 (Dawn)

 6. ロサ・ギガンティア (Rosa Gigantea)

 7. ヴェルサイユに咲く-薔薇の香りは全ての始まり- (Blooming in Versailles -The Scent of Roses is the Beginning of Everything-)

 8. La reine

 9. 物語の始まりは・・・-遠い遠い月の国のお話- (The Beginning of the Story... -The Tale of the Far, Far Away Moon Kingdom-)

 10. 月燈りのシェヘラザード (Moonlit Scheherazade)

 11. 黒蝶のワルツ (Waltz of the Black Butterfly)

 12. ロサ・クライシス (Rosa Crisis)

 13. 旅人達のソワレ ~ Epilogue (Soiree of Travelers ~ Epilogue)

Comments

Popular posts from this blog

Breakcore: Subheroine - End. (2025)

77 / 100 End. is Subheroine ’s most immersive and emotionally textured work yet ... Is being a week late enough to make a new release feel cold and stale? Maybe it’s the effect of our fast-paced modern world and the FOMO trend. Who knows. Whatever. Alright then, let’s welcome a new breakcore/drum & bass album (though it runs under 30 minutes) from Subheroine : End. ! End. by SUBHEROINE Released just on November 7 via Japan’s veteran breakcore label, Lost Frog Productions , End . delivers a noticeably more atmospheric vibe this time. So, tagging it as atmospheric drum & bass makes perfect sense, while the “depressive” tag seems to apply only to the cover art. But is that really the case? As always, there are surprises when reviewing music—those unexpected moments that make certain tracks sound more intriguing than expected. The most prominent depressive elements appear in the sampled voice of an anime girl sounding shocked or weakened in...

Electronica/IDM: 4T Thieves - Humanoid (2018)

70 / 100 Humanoid is a compact and tastefully crafted slice of IDM-leaning electronica that blends futuristic elements without overwhelming the listener. I opened my December with an electronica release by 4T Thieves , an EP titled Humanoid , which came out back in February 2018. A brief profile and the project’s track record can be found on RYM or Last.fm , and it’s clear that this act has been active since the 90s, although only arriving on Bandcamp around 2018. Humanoid by 4T Thieves As the name suggests, Humanoid presents a modern environment tinged with a futuristic sci-fi atmosphere, supported by drum work leaning toward IDM and prominent synth/bass that paints the image of a future city gate on “ Elemental .” This is followed by “ Codex ,” which is given a special dose of classic IDM-style glitch effects , and the rest continues into “ The Looking Glass ,” which gives off a nighttime-shadow feel through its slightly dark synth melodies. “Band...

Psychedelic Rock, Experimental: 32 Partials - In Degradation (Part I + II) (2017)

76 / 100 A dual-EP venture that expands 32 Partials ’ sonic universe, In Degradation showcases both their desert-tinged psych rock and a bold leap into experimental ambient/noise. The journey of 32 Partials continues with a descent into desert territory in In Degradation (Part I) , accompanied by an experimental/noise backsound presented separately in In Degradation (Part II) . Both were created during the summer and released together at the end of August 2017. Each EP contains three tracks, so I figured it would be more efficient to summarize them in one review instead of two. In Degradation (Part II) by 32 Partials What’s presented first is a Middle Eastern–styled rock performance using bouzouki and flanged guitar without distorted accompaniment, making it less clearly aligned with desert/stoner rock . The same goes for the two psychedelic rock tracks that follow—they don’t feature synths as strongly as the previous release, but overall t...