Skip to main content

The Flashcards: Mark Wardale - Close (2018)

90-/100
Genre: Modern classical/cinematic/soundtrack

Opening the morning with this album? If only I weren't trapped in bad habits, it would probably feel even more majestic. By that, I mean it would feel like a snippet from a cinematic or motivational film. Waking up full of energy, washing your face, putting on your shoes, and running through nature bathed in the morning sun while the sharp violin of "Cascade" and the piano of "Neon" play, for instance. Or imagining an Icelandic atmosphere through the sole vocal piece on "Veðráttufarsríma" and living a dramatic life. Despite containing many melancholy or emotional moments, it never completely sinks into despair or hopelessness. "Close" the wounds, receive the pain, and "Sails". Leave the past as a lesson, don't make it the same. You can do something much better.

Aside from the vocal prominence on "Veðráttufarsríma", "Orion" introduces a drum segment in its final minute, while "Nova"—as the longest track—brings forth a choir and the darkest violin tones on the record.

As such, Mark Wardale comes highly recommended for fans of Christoffer Franzen, Kai Engel, Hammock, and other soundtrack composers.

Tracklist:

 1. Byrja

 2. Cascade

 3. Neon

 4. Veðráttufarsríma

 5. Prelude

 6. Close

 7. Orion

 8. Pebbles

 9. Óreiða

 10. Nova

 11. Þægindi

 12. Sails

Comments

Popular posts from this blog

Breakcore: Subheroine - End. (2025)

77 / 100 End. is Subheroine ’s most immersive and emotionally textured work yet ... Is being a week late enough to make a new release feel cold and stale? Maybe it’s the effect of our fast-paced modern world and the FOMO trend. Who knows. Whatever. Alright then, let’s welcome a new breakcore/drum & bass album (though it runs under 30 minutes) from Subheroine : End. ! End. by SUBHEROINE Released just on November 7 via Japan’s veteran breakcore label, Lost Frog Productions , End . delivers a noticeably more atmospheric vibe this time. So, tagging it as atmospheric drum & bass makes perfect sense, while the “depressive” tag seems to apply only to the cover art. But is that really the case? As always, there are surprises when reviewing music—those unexpected moments that make certain tracks sound more intriguing than expected. The most prominent depressive elements appear in the sampled voice of an anime girl sounding shocked or weakened in...

Electronica/IDM: 4T Thieves - Humanoid (2018)

70 / 100 Humanoid is a compact and tastefully crafted slice of IDM-leaning electronica that blends futuristic elements without overwhelming the listener. I opened my December with an electronica release by 4T Thieves , an EP titled Humanoid , which came out back in February 2018. A brief profile and the project’s track record can be found on RYM or Last.fm , and it’s clear that this act has been active since the 90s, although only arriving on Bandcamp around 2018. Humanoid by 4T Thieves As the name suggests, Humanoid presents a modern environment tinged with a futuristic sci-fi atmosphere, supported by drum work leaning toward IDM and prominent synth/bass that paints the image of a future city gate on “ Elemental .” This is followed by “ Codex ,” which is given a special dose of classic IDM-style glitch effects , and the rest continues into “ The Looking Glass ,” which gives off a nighttime-shadow feel through its slightly dark synth melodies. “Band...

Listening Notes: Playlist Clearance Vol. 1

If a store has a term called clearance sale, then I have a new agenda called playlist clearance . This agenda is meant to clean up releases sitting on my playlist shelves—sometimes for months—without any written listening notes. This matters a lot to me personally, since I prefer listening to music offline rather than streaming, even though platforms like Spotify also offer offline features. I’m already too used to downloading music, even if it means I’ll probably never really get into mainstream artists, which automatically reduces public attention. Hahaha… As for that issue, I do have my own alternative—but for now, I don’t yet have a map to avoid being overwhelmed and confused when diving into streaming platforms just to consume popular releases. Alright, back to cleaning up the playlist. What’s in here this time? Let’s take a look! Abraham – Débris de mondes perdus (2022) 73% Sometimes music can feel like a stab—or a cause of headache—like this fourth album from Sw...