The Flashcards: Gabriëlle

The Flashcards: Gabriëlle - Animals (2026)

70/100

Genre: Metalcore/hardcore

Animals is the debut EP from Semarang, Indonesia-based female solo artist Gabriëlle. The four tracks within feature aggressive scream vocals delivered in a modern metal style fused with hardcore. The EP centers on themes of capitalism and social critique, conveyed through the interpretation of four animals that are also displayed on the album cover: the pig (power-hungry), the dog (blind obedience to the system), the goat (social control and blind authority), and the rat (global capitalism and structural oppression).

First of all, it instantly reminds me of the cover artwork for Burgerkill's Adamantine. Now, as for the music—it clearly isn't what I read elsewhere about there being a melodic death metal vibe; instead, the overall sound leans heavily toward metallic hardcore. Like who? Don't ask me! This isn't my domain, and my only real desire was to get through this EP quickly and discard it. It only lingered because I hadn't figured out what to say about it yet.

The bottom line is it's heavy, occasionally dipping into a slower pace—such as on "Anthropophagous," which one might imagine having a post-metal nuance—devoid of any prominent melodic approach and with zero clean vocals along the way. Highly relevant to the local market.

That's all.

Tracklist:

1. Carved in Mud

2. Heel

3. Kill Their Static

4. Anthropophagous

Comments

Breakcore: Subheroine - End. (2025)

77 / 100 End. is Subheroine ’s most immersive and emotionally textured work yet ... Is being a week late enough to make a new release feel cold and stale? Maybe it’s the effect of our fast-paced modern world and the FOMO trend. Who knows. Whatever. Alright then, let’s welcome a new breakcore/drum & bass album (though it runs under 30 minutes) from Subheroine : End. ! End. by SUBHEROINE Released just on November 7 via Japan’s veteran breakcore label, Lost Frog Productions , End . delivers a noticeably more atmospheric vibe this time. So, tagging it as atmospheric drum & bass makes perfect sense, while the “depressive” tag seems to apply only to the cover art. But is that really the case? As always, there are surprises when reviewing music—those unexpected moments that make certain tracks sound more intriguing than expected. The most prominent depressive elements appear in the sampled voice of an anime girl sounding shocked or weakened in...

Electronica/IDM: 4T Thieves - Humanoid (2018)

70 / 100 Humanoid is a compact and tastefully crafted slice of IDM-leaning electronica that blends futuristic elements without overwhelming the listener. I opened my December with an electronica release by 4T Thieves , an EP titled Humanoid , which came out back in February 2018. A brief profile and the project’s track record can be found on RYM or Last.fm , and it’s clear that this act has been active since the 90s, although only arriving on Bandcamp around 2018. Humanoid by 4T Thieves As the name suggests, Humanoid presents a modern environment tinged with a futuristic sci-fi atmosphere, supported by drum work leaning toward IDM and prominent synth/bass that paints the image of a future city gate on “ Elemental .” This is followed by “ Codex ,” which is given a special dose of classic IDM-style glitch effects , and the rest continues into “ The Looking Glass ,” which gives off a nighttime-shadow feel through its slightly dark synth melodies. “Band...

Listening Notes: Playlist Clearance Vol. 1

If a store has a term called clearance sale, then I have a new agenda called playlist clearance . This agenda is meant to clean up releases sitting on my playlist shelves—sometimes for months—without any written listening notes. This matters a lot to me personally, since I prefer listening to music offline rather than streaming, even though platforms like Spotify also offer offline features. I’m already too used to downloading music, even if it means I’ll probably never really get into mainstream artists, which automatically reduces public attention. Hahaha… As for that issue, I do have my own alternative—but for now, I don’t yet have a map to avoid being overwhelmed and confused when diving into streaming platforms just to consume popular releases. Alright, back to cleaning up the playlist. What’s in here this time? Let’s take a look! Abraham – Débris de mondes perdus (2022) 73% Sometimes music can feel like a stab—or a cause of headache—like this fourth album from Sw...

Search This Blog