Anger, Hate and Fury is Ablaze My Sorrow at their most confident and consistent.
The album cover is eye-catching like Black, but instead of interpreting the face as angry or holding back rage, my mind reads it as someone stifling laughter or holding in a bowel movement. Yeah, maybe too many memes have rewired my brain. Lol. The band logo also returns to that iconic Latin font style, and honestly, it’s much better that way.
Musically, the band sounds fully formed: firm drumming, straightforward melodic guitar interplay, and Kristian’s vocals fit perfectly—less deep growl and more dense shrieking. The tempo embodies the album title—anger and hatred—right from the start, seemingly peaking midway through with “Retention of Illusion.” “Thou Shalt Forever Suffer” serves as an interlude between two raging carriages, while “Paradies” and “Heartless” slow things down slightly with simpler structures and additional recorded vocals on the choruses—yeah, a bit Rammstein-like.
As for standout tracks, the first one that grabbed me was “Where the Strong Live Forever,” whose chorus is extremely sing-along-able, followed by the faintly familiar airborne melody of “Shrouded are the Pleasure of Flesh.” Lyrics—which I rarely highlight—are well represented by “Erased/Relived”:
Kill me, set me freeCome to me beautiful deathKill me, set me freeFeel the pleasure of killing me
So, I think Anger, Hate and Fury can serve as an alternative remedy if you were disappointed by In Flames’ Reroute to Remain—though that’s just my perspective after seeing average reviews on Metal Archives. Still, Dark Tranquillity's sits in the 80s, or maybe you’re still hyped about Arch Enemy’s Wages of Sin, which dwarfs Ablaze My Sorrow in name recognition. For me personally, this third album is their best output and doesn’t come across like an excuse to go on hiatus the next day.

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