Skip to main content

Melodic Death Metal: Ablaze My Sorrow - Anger, Hate and Fury (2002)

82 / 100
Anger, Hate and Fury is Ablaze My Sorrow at their most confident and consistent.
Before eventually going on hiatus in 2006, Ablaze My Sorrow released their third album Anger, Hate and Fury in 2002. Unfortunately, it shared the same fate as Black (2016), coming out alongside In FlamesReroute to Remain and Dark TranquillityDamage Done. The band still consisted of core members Magnus Carlsson and Anders Brorsson, joined by guitarist Dennie Lindén, while vocals shifted yet again to a new face: Kristian Lönnsjö. Oh, and having Tomas Lindberg of At The Gates appear on the track “Slit Wide Open” should have helped lift Ablaze My Sorrow’s name through this album.

The album cover is eye-catching like Black, but instead of interpreting the face as angry or holding back rage, my mind reads it as someone stifling laughter or holding in a bowel movement. Yeah, maybe too many memes have rewired my brain. Lol. The band logo also returns to that iconic Latin font style, and honestly, it’s much better that way.

Musically, the band sounds fully formed: firm drumming, straightforward melodic guitar interplay, and Kristian’s vocals fit perfectly—less deep growl and more dense shrieking. The tempo embodies the album title—anger and hatred—right from the start, seemingly peaking midway through with “Retention of Illusion.” “Thou Shalt Forever Suffer” serves as an interlude between two raging carriages, while “Paradies” and “Heartless” slow things down slightly with simpler structures and additional recorded vocals on the choruses—yeah, a bit Rammstein-like.

As for standout tracks, the first one that grabbed me was “Where the Strong Live Forever,” whose chorus is extremely sing-along-able, followed by the faintly familiar airborne melody of “Shrouded are the Pleasure of Flesh.” Lyrics—which I rarely highlight—are well represented by “Erased/Relived”:
Kill me, set me free
Come to me beautiful death
Kill me, set me free
Feel the pleasure of killing me

So, I think Anger, Hate and Fury can serve as an alternative remedy if you were disappointed by In FlamesReroute to Remain—though that’s just my perspective after seeing average reviews on Metal Archives. Still, Dark Tranquillity's sits in the 80s, or maybe you’re still hyped about Arch Enemy’s Wages of Sin, which dwarfs Ablaze My Sorrow in name recognition. For me personally, this third album is their best output and doesn’t come across like an excuse to go on hiatus the next day.

Comments

Popular posts from this blog

Breakcore: Subheroine - End. (2025)

77 / 100 End. is Subheroine ’s most immersive and emotionally textured work yet ... Is being a week late enough to make a new release feel cold and stale? Maybe it’s the effect of our fast-paced modern world and the FOMO trend. Who knows. Whatever. Alright then, let’s welcome a new breakcore/drum & bass album (though it runs under 30 minutes) from Subheroine : End. ! End. by SUBHEROINE Released just on November 7 via Japan’s veteran breakcore label, Lost Frog Productions , End . delivers a noticeably more atmospheric vibe this time. So, tagging it as atmospheric drum & bass makes perfect sense, while the “depressive” tag seems to apply only to the cover art. But is that really the case? As always, there are surprises when reviewing music—those unexpected moments that make certain tracks sound more intriguing than expected. The most prominent depressive elements appear in the sampled voice of an anime girl sounding shocked or weakened in...

Electronica/IDM: 4T Thieves - Humanoid (2018)

70 / 100 Humanoid is a compact and tastefully crafted slice of IDM-leaning electronica that blends futuristic elements without overwhelming the listener. I opened my December with an electronica release by 4T Thieves , an EP titled Humanoid , which came out back in February 2018. A brief profile and the project’s track record can be found on RYM or Last.fm , and it’s clear that this act has been active since the 90s, although only arriving on Bandcamp around 2018. Humanoid by 4T Thieves As the name suggests, Humanoid presents a modern environment tinged with a futuristic sci-fi atmosphere, supported by drum work leaning toward IDM and prominent synth/bass that paints the image of a future city gate on “ Elemental .” This is followed by “ Codex ,” which is given a special dose of classic IDM-style glitch effects , and the rest continues into “ The Looking Glass ,” which gives off a nighttime-shadow feel through its slightly dark synth melodies. “Band...

Psychedelic Rock, Experimental: 32 Partials - In Degradation (Part I + II) (2017)

76 / 100 A dual-EP venture that expands 32 Partials ’ sonic universe, In Degradation showcases both their desert-tinged psych rock and a bold leap into experimental ambient/noise. The journey of 32 Partials continues with a descent into desert territory in In Degradation (Part I) , accompanied by an experimental/noise backsound presented separately in In Degradation (Part II) . Both were created during the summer and released together at the end of August 2017. Each EP contains three tracks, so I figured it would be more efficient to summarize them in one review instead of two. In Degradation (Part II) by 32 Partials What’s presented first is a Middle Eastern–styled rock performance using bouzouki and flanged guitar without distorted accompaniment, making it less clearly aligned with desert/stoner rock . The same goes for the two psychedelic rock tracks that follow—they don’t feature synths as strongly as the previous release, but overall t...