Skip to main content

Electronic/Funk: Kingbastard - Brainfunk (2011)

75 / 100
Brainfunk is a surprisingly accessible and groove-driven electronic EP that balances retro club aesthetics with relaxed, playful energy.


Ah, a bit unlucky this time, as I ended up with a genre I’m not yet familiar with under the letter K—namely the electronic realm, more specifically something akin to funk, through Kingbastard’s Brainfunk.

Kingbastard is one of the side projects of Chris Weeks, whom I have reviewed before. This electronic project has existed for around 20 years and remains active to this day. Brainfunk itself was born in October 2011, and I obtained this release via Ambidextrous Records, which released it in May 2023.

I actually finished this six-track EP quite a while ago, but it eventually won out in a random selection a few days ago. So, well, here we are. Can I review the Brainfunk EP properly? Let’s see.

The EP opens with thunder sounds to reinforce the storm representation in “Brainstorm,” which then unfolds in a laid-back mood and becomes more assertive in its latter half, making it quite relevant to the three tracks that follow. “KingBee’s Waggle Dance” reaches peak groove in the style of a 1970s–80s club, followed by “The Sunshine Skank,” before easing back into a relaxed feel with “Out of Lunch.” “You Float My Boat” closes the EP with the vibe of a vocal theme song that ends a TV show episode, similar to what I found in a much earlier release than Brainfunk, Tied Up to Machines.

Yes, I nearly hit a dead end trying to review electronic music, but as usual, a clearer sense emerged through the act of writing, so I no longer underestimate this EP by Chris Weeks. Everything works well, and I am increasingly unsure which track to pick as a favorite, although I was already satisfied with the field recording sounds on “Brainstorm.” I’m still not entirely sure whether this qualifies as funk or something else, but if you enjoy elements of funk, synthwave, and old-school electronic music, I think Kingbastard is worth checking out.

Comments

Popular posts from this blog

Breakcore: Subheroine - End. (2025)

77 / 100 End. is Subheroine ’s most immersive and emotionally textured work yet ... Is being a week late enough to make a new release feel cold and stale? Maybe it’s the effect of our fast-paced modern world and the FOMO trend. Who knows. Whatever. Alright then, let’s welcome a new breakcore/drum & bass album (though it runs under 30 minutes) from Subheroine : End. ! End. by SUBHEROINE Released just on November 7 via Japan’s veteran breakcore label, Lost Frog Productions , End . delivers a noticeably more atmospheric vibe this time. So, tagging it as atmospheric drum & bass makes perfect sense, while the “depressive” tag seems to apply only to the cover art. But is that really the case? As always, there are surprises when reviewing music—those unexpected moments that make certain tracks sound more intriguing than expected. The most prominent depressive elements appear in the sampled voice of an anime girl sounding shocked or weakened in...

Electronica/IDM: 4T Thieves - Humanoid (2018)

70 / 100 Humanoid is a compact and tastefully crafted slice of IDM-leaning electronica that blends futuristic elements without overwhelming the listener. I opened my December with an electronica release by 4T Thieves , an EP titled Humanoid , which came out back in February 2018. A brief profile and the project’s track record can be found on RYM or Last.fm , and it’s clear that this act has been active since the 90s, although only arriving on Bandcamp around 2018. Humanoid by 4T Thieves As the name suggests, Humanoid presents a modern environment tinged with a futuristic sci-fi atmosphere, supported by drum work leaning toward IDM and prominent synth/bass that paints the image of a future city gate on “ Elemental .” This is followed by “ Codex ,” which is given a special dose of classic IDM-style glitch effects , and the rest continues into “ The Looking Glass ,” which gives off a nighttime-shadow feel through its slightly dark synth melodies. “Band...

Listening Notes: Playlist Clearance Vol. 1

If a store has a term called clearance sale, then I have a new agenda called playlist clearance . This agenda is meant to clean up releases sitting on my playlist shelves—sometimes for months—without any written listening notes. This matters a lot to me personally, since I prefer listening to music offline rather than streaming, even though platforms like Spotify also offer offline features. I’m already too used to downloading music, even if it means I’ll probably never really get into mainstream artists, which automatically reduces public attention. Hahaha… As for that issue, I do have my own alternative—but for now, I don’t yet have a map to avoid being overwhelmed and confused when diving into streaming platforms just to consume popular releases. Alright, back to cleaning up the playlist. What’s in here this time? Let’s take a look! Abraham – Débris de mondes perdus (2022) 73% Sometimes music can feel like a stab—or a cause of headache—like this fourth album from Sw...