Skip to main content

Ambient: Darren McClure - On Opposites (2019)

73 / 100
The album is uneven but rewarding if approached selectively.
From Los Angeles, I travel to Matsumoto, Nagano Prefecture to visit Darren McClure, who was previously based in Bangor, County Down, Northern Ireland. Well, it doesn’t really matter whether that is his current location or not—what matters is the music, right?

Because I was busy with Ablaze My Sorrow on January 1 and 2, then with 7328 on the following day, my mind drifted back to the grand idea of reviewing releases in alphabetical order. After numbers, A, then B, it should be C, right? Instead, I jumped straight to D—but that should be forgivable. Hopefully after this I can finish Chiodata before the 6th arrives.

I picked On Opposites, released on July 17, 2019—three days before the Dravier album I reviewed—and obtained it via Neotantra. Since I moved directly to this release, it felt like I was being treated to ambient music that met my expectations again after the slight detour of the previous review.

The flowing ambient textures, combined with prominent piano on “Strange Slip in Time,” genuinely touch the soul, even though the opening track “Archival Sketch” merely sounds like a poorly executed loop used as a hook. The sense of comfort is disrupted again in “Reflecting” by a sensor-like sound that appears throughout the track. “Blurred Lens” reinforces this discomfort with sharp, synthetic tones, evoking the feeling of a night spent in a dark corner of the city. “Charmonia” is actually rather noisy as well, but more in a space-like drift, making it less disturbing. Meanwhile, “Snow Lapse” makes the most striking use of field recordings, featuring a cold, dungeon-synth-like touch that suits its title quite well.

So, as usual, I will only take the purely ambient tracks or those closer to new age/cinematic territory rather than ones leaning toward dark ambient. Fans of Steve Roach and Rojinski, or anyone who enjoys ambient and dark ambient coexisting within a single release, can give Darren McClure’s work a try.

Best tracks: “Strange Slip in Time,” “Slow Juno,” “On Opposites,” “Otaru Box”.

Comments

Popular posts from this blog

Breakcore: Subheroine - End. (2025)

77 / 100 End. is Subheroine ’s most immersive and emotionally textured work yet ... Is being a week late enough to make a new release feel cold and stale? Maybe it’s the effect of our fast-paced modern world and the FOMO trend. Who knows. Whatever. Alright then, let’s welcome a new breakcore/drum & bass album (though it runs under 30 minutes) from Subheroine : End. ! End. by SUBHEROINE Released just on November 7 via Japan’s veteran breakcore label, Lost Frog Productions , End . delivers a noticeably more atmospheric vibe this time. So, tagging it as atmospheric drum & bass makes perfect sense, while the “depressive” tag seems to apply only to the cover art. But is that really the case? As always, there are surprises when reviewing music—those unexpected moments that make certain tracks sound more intriguing than expected. The most prominent depressive elements appear in the sampled voice of an anime girl sounding shocked or weakened in...

Soundtrack: Dragica Kahlina - Ava Chapter 1 OST (2022)

78 / 100 A compelling dark ambient soundtrack , best enjoyed by fans of atmospheric and cosmic soundscapes rather than traditional game OST seekers. Ava is a mobile puzzle game inspired by tarot cards , developed by Stardust LLC . It was released in four chapters, rolled out periodically between February 2020 and the first quarter of 2021. While there’s a claim that the game won an award, it was never explained exactly where or what it won. For the soundtrack of Chapter 1, Stardust LLC collaborated with local, Zurich-based artist Dragica Kahlina . Ava Chapter 1 OST by Dragica Kahlina Although the game came out in 2020, Kahlina only uploaded the OST two years later on Bandcamp , using cover art from Level 11: The Crown that features Ava herself. The atmosphere of darkness and cosmic vastness is strongly felt throughout the eleven tracks, built primarily on dark ambient foundations and layered with various sounds: echoing stick-like noises...

Electronica/IDM: 4T Thieves - Humanoid (2018)

70 / 100 Humanoid is a compact and tastefully crafted slice of IDM-leaning electronica that blends futuristic elements without overwhelming the listener. I opened my December with an electronica release by 4T Thieves , an EP titled Humanoid , which came out back in February 2018. A brief profile and the project’s track record can be found on RYM or Last.fm , and it’s clear that this act has been active since the 90s, although only arriving on Bandcamp around 2018. Humanoid by 4T Thieves As the name suggests, Humanoid presents a modern environment tinged with a futuristic sci-fi atmosphere, supported by drum work leaning toward IDM and prominent synth/bass that paints the image of a future city gate on “ Elemental .” This is followed by “ Codex ,” which is given a special dose of classic IDM-style glitch effects , and the rest continues into “ The Looking Glass ,” which gives off a nighttime-shadow feel through its slightly dark synth melodies. “Band...