Skip to main content

Progressive Power Metal: Vision Divine - The Perfect Machine (2005)

68 / 100
The Perfect Machine is Vision Divine shifting further into a progressive-leaning direction, but with drier energy and fewer emotional peaks.
Vision Divine entered yet another new chapter within a year with a guitarist change for the release of their fourth album, The Perfect Machine. Even though it carries the word "perfect", the robotic angel displayed on the cover looks quite the opposite which is more like a broken machine that likely won’t operate the way it once did. Hm, that feels logical to me, because some of the energy projected here is not the type I enjoy.

Most of the tracks feel mid-tempo with the synthetic, progressive-styled emotion coming from Oleg’s keyboards and Michele’s vocals, starting right from “1st Day of a Never-ending Days”. So I think Vision Divine focused more on progressive metal/rock with a power metal foundation that feels rather dry. But is that automatically bad? Not really. There are still some tracks that perform quite well, including “The Perfect Machine” at the front gate as a very fitting opener both in character and atmosphere to hook the listener. Then “God is Dead” stands out as another highlight with its satisfying guitar rhythm. Two more tracks below it are “Ancestor’s Blood” and “The River”. Oh, and unlike Stream of Consciousness, this album doesn’t have conceptual instrumental links, so the nine tracks stand independently from each other.

So, I will take those four songs, and for the rest, I don’t feel like thinking too hard to revisit them, except for “1st Day of a Never-ending Days”, which is wrapped in classical music and surprisingly bright in tone. Thus, The Perfect Machine represents a slower, more classic-leaning side compared to its three predecessors.

Comments

Popular posts from this blog

Breakcore: Subheroine - End. (2025)

77 / 100 End. is Subheroine ’s most immersive and emotionally textured work yet ... Is being a week late enough to make a new release feel cold and stale? Maybe it’s the effect of our fast-paced modern world and the FOMO trend. Who knows. Whatever. Alright then, let’s welcome a new breakcore/drum & bass album (though it runs under 30 minutes) from Subheroine : End. ! End. by SUBHEROINE Released just on November 7 via Japan’s veteran breakcore label, Lost Frog Productions , End . delivers a noticeably more atmospheric vibe this time. So, tagging it as atmospheric drum & bass makes perfect sense, while the “depressive” tag seems to apply only to the cover art. But is that really the case? As always, there are surprises when reviewing music—those unexpected moments that make certain tracks sound more intriguing than expected. The most prominent depressive elements appear in the sampled voice of an anime girl sounding shocked or weakened in...

Electronica/IDM: 4T Thieves - Humanoid (2018)

70 / 100 Humanoid is a compact and tastefully crafted slice of IDM-leaning electronica that blends futuristic elements without overwhelming the listener. I opened my December with an electronica release by 4T Thieves , an EP titled Humanoid , which came out back in February 2018. A brief profile and the project’s track record can be found on RYM or Last.fm , and it’s clear that this act has been active since the 90s, although only arriving on Bandcamp around 2018. Humanoid by 4T Thieves As the name suggests, Humanoid presents a modern environment tinged with a futuristic sci-fi atmosphere, supported by drum work leaning toward IDM and prominent synth/bass that paints the image of a future city gate on “ Elemental .” This is followed by “ Codex ,” which is given a special dose of classic IDM-style glitch effects , and the rest continues into “ The Looking Glass ,” which gives off a nighttime-shadow feel through its slightly dark synth melodies. “Band...

Listening Notes: Playlist Clearance Vol. 1

If a store has a term called clearance sale, then I have a new agenda called playlist clearance . This agenda is meant to clean up releases sitting on my playlist shelves—sometimes for months—without any written listening notes. This matters a lot to me personally, since I prefer listening to music offline rather than streaming, even though platforms like Spotify also offer offline features. I’m already too used to downloading music, even if it means I’ll probably never really get into mainstream artists, which automatically reduces public attention. Hahaha… As for that issue, I do have my own alternative—but for now, I don’t yet have a map to avoid being overwhelmed and confused when diving into streaming platforms just to consume popular releases. Alright, back to cleaning up the playlist. What’s in here this time? Let’s take a look! Abraham – Débris de mondes perdus (2022) 73% Sometimes music can feel like a stab—or a cause of headache—like this fourth album from Sw...