Experimental/Soundtrack: 7328 - Para Bárbara (2016)

61 / 100

Para Bárbara is a flawed but compelling early experiment.

Well, I thought 00 was 7328’s debut, but it turns out I misread the timeline. A month earlier in 2016, Para Bárbara had already been released, containing four tracks.

“Track 01” feels directly connected to “Track 02,” both presenting a piano-based soundtrack style blended with reversed audio. I have to admit, it sounds good and pleasant, although the recording—done using an Mp3 Sony Walkman NWZ B162F—makes it noticeably noisy. Other sounds include field recordings of someone coughing—possibly 7328 himself—at the end of the second track and again at the intro of the fourth track. This is followed by a monologue in “Track 03,” which all seems to have been recorded live in the same session and is admittedly quite distracting. “Track 04,” on the other hand, leans more toward ambient synth rather than piano, evoking a nighttime rural setting suggested by the sound of wooden slit drums, giving it a subtle horror atmosphere.

Therefore, I find Para Bárbara to be quite interesting thanks to its conceptual feel. There are two strong candidates here, but “Track 02” suffers from too much sonic contamination, placing it below the opening track—or forcing it to be skipped altogether.

Comments

Breakcore: Subheroine - End. (2025)

77 / 100 End. is Subheroine ’s most immersive and emotionally textured work yet ... Is being a week late enough to make a new release feel cold and stale? Maybe it’s the effect of our fast-paced modern world and the FOMO trend. Who knows. Whatever. Alright then, let’s welcome a new breakcore/drum & bass album (though it runs under 30 minutes) from Subheroine : End. ! End. by SUBHEROINE Released just on November 7 via Japan’s veteran breakcore label, Lost Frog Productions , End . delivers a noticeably more atmospheric vibe this time. So, tagging it as atmospheric drum & bass makes perfect sense, while the “depressive” tag seems to apply only to the cover art. But is that really the case? As always, there are surprises when reviewing music—those unexpected moments that make certain tracks sound more intriguing than expected. The most prominent depressive elements appear in the sampled voice of an anime girl sounding shocked or weakened in...

Soundtrack: Dragica Kahlina - Ava Chapter 1 OST (2022)

78 / 100 A compelling dark ambient soundtrack , best enjoyed by fans of atmospheric and cosmic soundscapes rather than traditional game OST seekers. Ava is a mobile puzzle game inspired by tarot cards , developed by Stardust LLC . It was released in four chapters, rolled out periodically between February 2020 and the first quarter of 2021. While there’s a claim that the game won an award, it was never explained exactly where or what it won. For the soundtrack of Chapter 1, Stardust LLC collaborated with local, Zurich-based artist Dragica Kahlina . Ava Chapter 1 OST by Dragica Kahlina Although the game came out in 2020, Kahlina only uploaded the OST two years later on Bandcamp , using cover art from Level 11: The Crown that features Ava herself. The atmosphere of darkness and cosmic vastness is strongly felt throughout the eleven tracks, built primarily on dark ambient foundations and layered with various sounds: echoing stick-like noises...

Electronica/IDM: 4T Thieves - Humanoid (2018)

70 / 100 Humanoid is a compact and tastefully crafted slice of IDM-leaning electronica that blends futuristic elements without overwhelming the listener. I opened my December with an electronica release by 4T Thieves , an EP titled Humanoid , which came out back in February 2018. A brief profile and the project’s track record can be found on RYM or Last.fm , and it’s clear that this act has been active since the 90s, although only arriving on Bandcamp around 2018. Humanoid by 4T Thieves As the name suggests, Humanoid presents a modern environment tinged with a futuristic sci-fi atmosphere, supported by drum work leaning toward IDM and prominent synth/bass that paints the image of a future city gate on “ Elemental .” This is followed by “ Codex ,” which is given a special dose of classic IDM-style glitch effects , and the rest continues into “ The Looking Glass ,” which gives off a nighttime-shadow feel through its slightly dark synth melodies. “Band...

Search This Blog