Experimental/Soundtrack: 7328

Experimental/Soundtrack: 7328 - 00 (2016)

59 / 100

A rough, low-fidelity experiment that leans more toward an eerie concept piece than a replayable release.

An experimental/soundtrack project from Trelew, Argentina, called 7328, began its journey in 2016 with an EP titled Para Bárbara then 00 followed by. It was produced using a Sony Walkman NWZ-B162F MP3 player, which explains why the resulting output isn’t particularly clean—there is noticeable clipping noise, whether intentional or not.

00 consists of six relatively short tracks built from audio samples, piano, and some form of synth to add color. Tracks “2” and “4” function like interludes, relying mainly on audio samples that seem to be fragments of Latin film and anime, while “5” is a snippet of a city-pop–like piece slowed down and feels as if it leads directly into the final track. The material in “1”, “3”, and “6” feels stranger, like an unfamiliar, quiet nighttime atmosphere in a suburban area or small town, with a touch of modern creepypasta, although “6” also carries a slight lo-fi character. Aside from noise, another effect that may be used is reverse audio, which can also be heard in the closing track.

Therefore, 00 by 7328 comes across as an awkward, off-kilter soundtrack experiment. Even with the presence of piano, I wouldn’t really pick any track to keep. But if I had to choose, “3” has the most potential.

Comments

Breakcore: Subheroine - End. (2025)

77 / 100 End. is Subheroine ’s most immersive and emotionally textured work yet ... Is being a week late enough to make a new release feel cold and stale? Maybe it’s the effect of our fast-paced modern world and the FOMO trend. Who knows. Whatever. Alright then, let’s welcome a new breakcore/drum & bass album (though it runs under 30 minutes) from Subheroine : End. ! End. by SUBHEROINE Released just on November 7 via Japan’s veteran breakcore label, Lost Frog Productions , End . delivers a noticeably more atmospheric vibe this time. So, tagging it as atmospheric drum & bass makes perfect sense, while the “depressive” tag seems to apply only to the cover art. But is that really the case? As always, there are surprises when reviewing music—those unexpected moments that make certain tracks sound more intriguing than expected. The most prominent depressive elements appear in the sampled voice of an anime girl sounding shocked or weakened in...

Soundtrack: Dragica Kahlina - Ava Chapter 1 OST (2022)

78 / 100 A compelling dark ambient soundtrack , best enjoyed by fans of atmospheric and cosmic soundscapes rather than traditional game OST seekers. Ava is a mobile puzzle game inspired by tarot cards , developed by Stardust LLC . It was released in four chapters, rolled out periodically between February 2020 and the first quarter of 2021. While there’s a claim that the game won an award, it was never explained exactly where or what it won. For the soundtrack of Chapter 1, Stardust LLC collaborated with local, Zurich-based artist Dragica Kahlina . Ava Chapter 1 OST by Dragica Kahlina Although the game came out in 2020, Kahlina only uploaded the OST two years later on Bandcamp , using cover art from Level 11: The Crown that features Ava herself. The atmosphere of darkness and cosmic vastness is strongly felt throughout the eleven tracks, built primarily on dark ambient foundations and layered with various sounds: echoing stick-like noises...

Electronica/IDM: 4T Thieves - Humanoid (2018)

70 / 100 Humanoid is a compact and tastefully crafted slice of IDM-leaning electronica that blends futuristic elements without overwhelming the listener. I opened my December with an electronica release by 4T Thieves , an EP titled Humanoid , which came out back in February 2018. A brief profile and the project’s track record can be found on RYM or Last.fm , and it’s clear that this act has been active since the 90s, although only arriving on Bandcamp around 2018. Humanoid by 4T Thieves As the name suggests, Humanoid presents a modern environment tinged with a futuristic sci-fi atmosphere, supported by drum work leaning toward IDM and prominent synth/bass that paints the image of a future city gate on “ Elemental .” This is followed by “ Codex ,” which is given a special dose of classic IDM-style glitch effects , and the rest continues into “ The Looking Glass ,” which gives off a nighttime-shadow feel through its slightly dark synth melodies. “Band...

Search This Blog