Ambient: Carlos Ferreira - ..And Then We Became Ashes (2020)

84 / 100

A subtly emotional and contemplative EP, executed with remarkable restraint.

I already mentioned Carlos Ferreira in his collaborative album with Ki Oni, A Hundred Ways of Escaping. Since I was curious and felt unsatisfied, I grabbed several of his releases that happened to be Name Your Price, such as …And Then We Became Ashes. This is a two-track EP released in September 2020. Carlos explains that it was recorded with two improvised guitars in a single take without editing, yet the result is unbelievable—so smooth!

The ambient effects on the guitar are so gentle and perfectly fit the track titles as well as the EP’s theme, which speaks about time and ephemeral life. There’s a contemplative and introspective feeling that reminds us we will indeed fade away in time. Listening to these two tracks—28 minutes in total—seeps right into the soul when I play them in the morning, to the point of wanting to feel sad, though it becomes a bit bland in the late afternoon due to fatigue and being less effective as accompaniment for heavy work.

I’m not sure which part to highlight, because there’s nothing that disturbs or feels lacking. This EP also showcases Carlos Ferreira’s skill in crafting ambient with guitar, and it’s definitely softer compared to Ambient Guitar for Christmas by Matt Borghi.

In the end, …And Then We Became Ashes is highly likely to become part of my favorite playlist.

Comments

Breakcore: Subheroine - End. (2025)

77 / 100 End. is Subheroine ’s most immersive and emotionally textured work yet ... Is being a week late enough to make a new release feel cold and stale? Maybe it’s the effect of our fast-paced modern world and the FOMO trend. Who knows. Whatever. Alright then, let’s welcome a new breakcore/drum & bass album (though it runs under 30 minutes) from Subheroine : End. ! End. by SUBHEROINE Released just on November 7 via Japan’s veteran breakcore label, Lost Frog Productions , End . delivers a noticeably more atmospheric vibe this time. So, tagging it as atmospheric drum & bass makes perfect sense, while the “depressive” tag seems to apply only to the cover art. But is that really the case? As always, there are surprises when reviewing music—those unexpected moments that make certain tracks sound more intriguing than expected. The most prominent depressive elements appear in the sampled voice of an anime girl sounding shocked or weakened in...

Electronica/IDM: 4T Thieves - Humanoid (2018)

70 / 100 Humanoid is a compact and tastefully crafted slice of IDM-leaning electronica that blends futuristic elements without overwhelming the listener. I opened my December with an electronica release by 4T Thieves , an EP titled Humanoid , which came out back in February 2018. A brief profile and the project’s track record can be found on RYM or Last.fm , and it’s clear that this act has been active since the 90s, although only arriving on Bandcamp around 2018. Humanoid by 4T Thieves As the name suggests, Humanoid presents a modern environment tinged with a futuristic sci-fi atmosphere, supported by drum work leaning toward IDM and prominent synth/bass that paints the image of a future city gate on “ Elemental .” This is followed by “ Codex ,” which is given a special dose of classic IDM-style glitch effects , and the rest continues into “ The Looking Glass ,” which gives off a nighttime-shadow feel through its slightly dark synth melodies. “Band...

Psychedelic Rock, Experimental: 32 Partials - In Degradation (Part I + II) (2017)

76 / 100 A dual-EP venture that expands 32 Partials ’ sonic universe, In Degradation showcases both their desert-tinged psych rock and a bold leap into experimental ambient/noise. The journey of 32 Partials continues with a descent into desert territory in In Degradation (Part I) , accompanied by an experimental/noise backsound presented separately in In Degradation (Part II) . Both were created during the summer and released together at the end of August 2017. Each EP contains three tracks, so I figured it would be more efficient to summarize them in one review instead of two. In Degradation (Part II) by 32 Partials What’s presented first is a Middle Eastern–styled rock performance using bouzouki and flanged guitar without distorted accompaniment, making it less clearly aligned with desert/stoner rock . The same goes for the two psychedelic rock tracks that follow—they don’t feature synths as strongly as the previous release, but overall t...

Search This Blog