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Soundtrack: tttc - Sum / mer / cury (2024)


71 / 100
A shimmering and experimental sequel to Pool Party, expanding tttc’s sound toward cosmic territories while keeping the same playful unpredictability.
The sting of summer in 2024 made tttc look up at the sky, and what came to mind was the planet closest to the sun—Mercury—even though Venus is scientifically the hottest. Well, it’s up to tttc to decide which one to spotlight.

Just like the Pool Party EP, Sum/mer/cury was first released by Fruit Exports in June, followed a month later by Ingrown Records. This time, the genre orientation is almost the same as before, only replacing the material with a more spacey atmosphere.

tttc opens with a mix of ambient and what sounds like field recordings edited to resemble outer-space signal waves—at least to my ears. I’m not sure what sound sources were actually used here. “SpaceOS” presents analog-style music that is followed by the game-like soundtracks “From Earth, to My Mercurians” and “r/GoneWildSpacey,” these tracks remind me of the roles played by “Little Frogs” and “Raw Coconuts Groove” from the previous EP.

Meanwhile, “Pods of the Mothership” plays more calmly and feels like an interlude or loading section between “Satellite” and the longest track, “A Mercurian Pie.” These two tracks have the most prominent noise and drum beat influences, while the closer, “Mercurian Queen,” is the darkest track, with heavy echo effects that make it sound like a “final boss” moment even though it only lasts five minutes and similar to “Gift of Varuna” in the previous EP.

Thus, Sum/mer/cury clarifies tttc’s style of playing, which refuses to be tied to a single genre and is difficult to describe, so it can simply be categorized as a soundtrack blending ambient, noise, experimental, and electronic elements. Just like its predecessor, I won’t pick a favorite track from this album. However, it’s recommended for fans of space game music, Rojinski, Phantom Mistress, and the like.
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