Skip to main content

Soundtrack: tttc - Foretold (2024)


79 / 100
The most refined and cohesive work to date—melding dreamlike naturalism and subtle darkness into a compelling ambient narrative.
The northern hemisphere’s summer isn’t over yet—and neither is the project from Ho Chi Minh City, tttc. The second album, Foretold, was quietly released in early July 2024 through the main home, Fruit Exports.

This time, tttc focuses on ambient and field recordings, though the opener “Summer of Happiness” still carries the dark mood left behind by the final track of Sum/mer/cury. The chirping of birds accompanies the easily recognizable pure rain sounds in “Monologue.” The whistling in the final track is meant to dispel the lingering fear from the darker tracks above it, following a better acoustic arrangement than the closing song from the Pool Party EP. Another dark soundtrack, “Vicario Brothers,” uses string instruments in a startling, horror-like manner, while “Enormous Wings” stands as a fully realized dark ambient piece—perhaps the most promising performance here.

Meanwhile, “The Dream of Birds and Trees” truly embodies an unimaginable dreamlike form of birds and trees, shaped by sounds resembling a xylophone, small moving objects, and flowing water as instruments then followed by analog tones. The field recording experiment continues in “Drowned,” which sounds more complex yet successfully conveys the sensation of a drowning incident.

Thus, out of tttc’s three releases so far, I can confidently say that Foretold suits my ears the best. tttc’s quality as a soundtrack composer shouldn’t be underestimated, and the album comes recommended for fans of Rojinski, Anihila, Atrium Carceri, and similar artists.

Comments

Popular posts from this blog

Breakcore: Subheroine - End. (2025)

77 / 100 End. is Subheroine ’s most immersive and emotionally textured work yet ... Is being a week late enough to make a new release feel cold and stale? Maybe it’s the effect of our fast-paced modern world and the FOMO trend. Who knows. Whatever. Alright then, let’s welcome a new breakcore/drum & bass album (though it runs under 30 minutes) from Subheroine : End. ! End. by SUBHEROINE Released just on November 7 via Japan’s veteran breakcore label, Lost Frog Productions , End . delivers a noticeably more atmospheric vibe this time. So, tagging it as atmospheric drum & bass makes perfect sense, while the “depressive” tag seems to apply only to the cover art. But is that really the case? As always, there are surprises when reviewing music—those unexpected moments that make certain tracks sound more intriguing than expected. The most prominent depressive elements appear in the sampled voice of an anime girl sounding shocked or weakened in...

Electronica/IDM: 4T Thieves - Humanoid (2018)

70 / 100 Humanoid is a compact and tastefully crafted slice of IDM-leaning electronica that blends futuristic elements without overwhelming the listener. I opened my December with an electronica release by 4T Thieves , an EP titled Humanoid , which came out back in February 2018. A brief profile and the project’s track record can be found on RYM or Last.fm , and it’s clear that this act has been active since the 90s, although only arriving on Bandcamp around 2018. Humanoid by 4T Thieves As the name suggests, Humanoid presents a modern environment tinged with a futuristic sci-fi atmosphere, supported by drum work leaning toward IDM and prominent synth/bass that paints the image of a future city gate on “ Elemental .” This is followed by “ Codex ,” which is given a special dose of classic IDM-style glitch effects , and the rest continues into “ The Looking Glass ,” which gives off a nighttime-shadow feel through its slightly dark synth melodies. “Band...

Listening Notes: Playlist Clearance Vol. 1

If a store has a term called clearance sale, then I have a new agenda called playlist clearance . This agenda is meant to clean up releases sitting on my playlist shelves—sometimes for months—without any written listening notes. This matters a lot to me personally, since I prefer listening to music offline rather than streaming, even though platforms like Spotify also offer offline features. I’m already too used to downloading music, even if it means I’ll probably never really get into mainstream artists, which automatically reduces public attention. Hahaha… As for that issue, I do have my own alternative—but for now, I don’t yet have a map to avoid being overwhelmed and confused when diving into streaming platforms just to consume popular releases. Alright, back to cleaning up the playlist. What’s in here this time? Let’s take a look! Abraham – Débris de mondes perdus (2022) 73% Sometimes music can feel like a stab—or a cause of headache—like this fourth album from Sw...