Skip to main content

Melodic House: Enloh - Unity (2020)

82 / 100
Unity by Enloh is a refreshing debut that blends melodic house and electronica with a smooth, dreamlike polish.

It was supposed to be Bålsam or Radiohead that I continued pursuing, but when my second phone came back to life, I suddenly remembered another target. An artist named Enloh, whom I stumbled upon randomly on Bandcamp.

Enloh is the project of Cameron Earle, centered around electronic music such as deep/melodic house and electronica. Cameron began his musical journey due to an early fascination with sound back in 2012, and when he was around nineteen, after moving to Los Angeles, he started experimenting with FL Studio and Ableton. Unity became his first EP and debut release, issued on March 6, 2020, showcasing an impressively polished production.

At first, I thought Open was Enloh’s debut because of its rawer sound, but in fact, Unity preceded it and it already displays Cameron’s skillful handling of materials to the point that I’m not quite sure how to even review it. The opening track alone feels like diffusing aromatherapy—a melodic, soothing hook with touches of kalimba/piano. "Bricks" begins incorporating vocal samples and prominent rave-style synthesizers, along with a sweet melodic passage around the 4:35–5:03 mark. Strong synthwave sensations surface in "Different Planes" and "Circles", songs that make you sink deeper while gazing at the city from your private space.

The midpoint track, "See Again", stands out the most, featuring Kees, whose angelic voice seems to descend straight from the skies over Los Angeles. She sounds like a cross between Ariana Grande and Ellie Goulding, though perhaps that comparison doesn’t do her justice because I haven’t followed mainstream pop for quite a while, after all.

Ultimately, this EP proves the passion that has long burned within Cameron Earle, delivering an engaging listen highly recommended for fans of melodic house, synthwave, and electronica such as Brigade, Chris Malinchak, Chillers, Prom, and Reins.

Labels:

Comments

Post a Comment

Terima kasih telah berkomentar. Usahakan untuk menjaga sopan santun.

Popular posts from this blog

Breakcore: Subheroine - End. (2025)

77 / 100 End. is Subheroine ’s most immersive and emotionally textured work yet ... Is being a week late enough to make a new release feel cold and stale? Maybe it’s the effect of our fast-paced modern world and the FOMO trend. Who knows. Whatever. Alright then, let’s welcome a new breakcore/drum & bass album (though it runs under 30 minutes) from Subheroine : End. ! End. by SUBHEROINE Released just on November 7 via Japan’s veteran breakcore label, Lost Frog Productions , End . delivers a noticeably more atmospheric vibe this time. So, tagging it as atmospheric drum & bass makes perfect sense, while the “depressive” tag seems to apply only to the cover art. But is that really the case? As always, there are surprises when reviewing music—those unexpected moments that make certain tracks sound more intriguing than expected. The most prominent depressive elements appear in the sampled voice of an anime girl sounding shocked or weakened in...
Post a Comment
Read more

Soundtrack: Dragica Kahlina - Ava Chapter 1 OST (2022)

78 / 100 A compelling dark ambient soundtrack , best enjoyed by fans of atmospheric and cosmic soundscapes rather than traditional game OST seekers. Ava is a mobile puzzle game inspired by tarot cards , developed by Stardust LLC . It was released in four chapters, rolled out periodically between February 2020 and the first quarter of 2021. While there’s a claim that the game won an award, it was never explained exactly where or what it won. For the soundtrack of Chapter 1, Stardust LLC collaborated with local, Zurich-based artist Dragica Kahlina . Ava Chapter 1 OST by Dragica Kahlina Although the game came out in 2020, Kahlina only uploaded the OST two years later on Bandcamp , using cover art from Level 11: The Crown that features Ava herself. The atmosphere of darkness and cosmic vastness is strongly felt throughout the eleven tracks, built primarily on dark ambient foundations and layered with various sounds: echoing stick-like noises...
Post a Comment
Read more

Electronica/IDM: 4T Thieves - Humanoid (2018)

70 / 100 Humanoid is a compact and tastefully crafted slice of IDM-leaning electronica that blends futuristic elements without overwhelming the listener. I opened my December with an electronica release by 4T Thieves , an EP titled Humanoid , which came out back in February 2018. A brief profile and the project’s track record can be found on RYM or Last.fm , and it’s clear that this act has been active since the 90s, although only arriving on Bandcamp around 2018. Humanoid by 4T Thieves As the name suggests, Humanoid presents a modern environment tinged with a futuristic sci-fi atmosphere, supported by drum work leaning toward IDM and prominent synth/bass that paints the image of a future city gate on “ Elemental .” This is followed by “ Codex ,” which is given a special dose of classic IDM-style glitch effects , and the rest continues into “ The Looking Glass ,” which gives off a nighttime-shadow feel through its slightly dark synth melodies. “Band...
Post a Comment
Read more