Float continues Enloh’s steady evolution, a subtle balance between groove and atmosphere.
The end of October this time feels like a deadline—with some free time and a decent mood to increase my monthly review count. So, the mission to close this month’s reviews is
Enloh’s discography. Although it may seem dull, personally, I prefer this to jumping around between different genres, which only leads to confusion and exhaustion.
Enloh released his third EP on March 18, 2022, titled
Float, containing four melody-filled tracks. The opening track, “
Some Places,” gives listeners a head-nodding experience from side to side through a kind of stereo effect on the drum beat. “
So Many Ways” moves at a slower pace, though not the typical deep house type like “
Feel the Fire.” Then “
Trace” greets with a bouncy bassline and floating melody. The closing track, “Float,” strengthens the ambient synths with a dense, more prominent bass drum that gives a sensation of drifting atop the wind.
Even though it uses rippling water imagery as its cover, I don’t think this EP brings relaxation or calmness—instead, it keeps you gently swaying above it.
Cameron Earle once again shows solid production consistency, and his career deserves to be followed by melodic house fans.
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