Close to Home is a richly textured post-rock journey, weaving math/prog intensity with brass-accented emotional swells. The trumpet/flute-laced to blend chaos and nostalgia, while ballads shine with delicate vocals. A near flawless 2024 post-rock highlight.
A Burial At Sea made it into my post-rock pandemic-era discovery list with their self-titled album, which I recall had a math rock blend. After several years, their new album appeared on Pelagic Records’ storefront — and I immediately grabbed it for $0. Hehehe, that obsession with freebies runs deep in my blood.
On the first listen, the album’s charm didn’t hit me. But once I started picking tracks for my playlist, I was overwhelmed. Every song had its own atmosphere and strong character — both to the ears and the heart. I couldn’t dismiss the aggressive prog/math rock tone in "Tor Head" and "Gorse Bush on Fire", so onto the playlist they went. The flutes/trumpets sprinkled across "DALL," "Everything You Are Not," and "Hy-Brasil" created a chaotic but stunning mix of emotions: joy, sorrow, and nostalgia.
"Masterfired" and "Objects of the House" are two ballads with gentle vocals — undeniably beautiful. While "T.G.G.O.A." seems to act as a closing statement, its spoken word form (with minimal music) is still impressive. I’ve been drawn to spoken word tracks before, and this one is no exception.
So yes, Close to Home becomes one of the best post-rock albums of 2024. The only track I’m not quite comfortable with is "Down to the Floor" because it sounds too upbeat at the beginning and doesn’t sit well with me, even compared to the more intense "Tor Head" or "Gorse Bush on Fire." It just doesn’t click.

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