Skip to main content

D-beat Punk: Constant Light - Demo 2020 (2020)



76 / 100
Constant Light twists punk into something cosmic and noisy, a demo worth watching.

What is d-beat? At a glance, it’s punk played at high speed with its signature drumming patterns, which is often raw and unpolished. However, Constant Light’s demo doesn’t quite fit the typical d-beat mold. This is because their sound carries a heavy atmosphere that obscures the vocals—or perhaps intentionally buries them, much like in atmospheric black metal. This might explain why Constant Light tags themselves as kosmische punk.

The Austin, Texas-based band’s demo consists of three tracks, packaged in a cover that mirrors the traditional d-beat aesthetic that dominated by stark black-and-white artwork, with hints of raw black metal imagery. Musically, though, it’s a hybrid: d-beat drumming in the vein of Discharge, layered with thick, reverb-heavy guitars reminiscent of psychedelic rock and shoegaze, in example is My Bloody Valentine, to build a dense atmospheric wall. This is evident in “No Reward” and “Leaking Cooper.” At times, I even sense shades of stoner rock or djent-style guitar phrasing, especially on “A Clean Corpse.”

The vocals, in line with the atmospheric approach, are delivered in a lethargic, drugged-out manner—so deeply buried in the mix that they feel submerged, especially on "No Reward". This is a striking contrast to the energetic, central vocal presence typical of punk, and it makes their sound stand out.

From a production standpoint, the demo is surprisingly strong. The band doesn’t settle for a dry, lo-fi noise aesthetic but instead leans into a thick, immersive noise wall. Credit is also due to Will Killingsworth, whose decades of experience in recording and mixing (working with bands like Full of Hell and Act of Impalement) helped shape Constant Light’s chaotic textures into something that remains listenable despite its density and abrasiveness.

Although this isn’t my everyday kind of listening, Constant Light offers something truly unique, a refreshing take on d-beat with cosmic, atmospheric depth. Highly recommended for fans of punk’s darker and more experimental fringes. Hopefully, more material will follow soon.

Comments

Popular posts from this blog

Breakcore: Subheroine - End. (2025)

77 / 100 End. is Subheroine ’s most immersive and emotionally textured work yet ... Is being a week late enough to make a new release feel cold and stale? Maybe it’s the effect of our fast-paced modern world and the FOMO trend. Who knows. Whatever. Alright then, let’s welcome a new breakcore/drum & bass album (though it runs under 30 minutes) from Subheroine : End. ! End. by SUBHEROINE Released just on November 7 via Japan’s veteran breakcore label, Lost Frog Productions , End . delivers a noticeably more atmospheric vibe this time. So, tagging it as atmospheric drum & bass makes perfect sense, while the “depressive” tag seems to apply only to the cover art. But is that really the case? As always, there are surprises when reviewing music—those unexpected moments that make certain tracks sound more intriguing than expected. The most prominent depressive elements appear in the sampled voice of an anime girl sounding shocked or weakened in...

Soundtrack: Dragica Kahlina - Ava Chapter 1 OST (2022)

78 / 100 A compelling dark ambient soundtrack , best enjoyed by fans of atmospheric and cosmic soundscapes rather than traditional game OST seekers. Ava is a mobile puzzle game inspired by tarot cards , developed by Stardust LLC . It was released in four chapters, rolled out periodically between February 2020 and the first quarter of 2021. While there’s a claim that the game won an award, it was never explained exactly where or what it won. For the soundtrack of Chapter 1, Stardust LLC collaborated with local, Zurich-based artist Dragica Kahlina . Ava Chapter 1 OST by Dragica Kahlina Although the game came out in 2020, Kahlina only uploaded the OST two years later on Bandcamp , using cover art from Level 11: The Crown that features Ava herself. The atmosphere of darkness and cosmic vastness is strongly felt throughout the eleven tracks, built primarily on dark ambient foundations and layered with various sounds: echoing stick-like noises...

Electronica/IDM: 4T Thieves - Humanoid (2018)

70 / 100 Humanoid is a compact and tastefully crafted slice of IDM-leaning electronica that blends futuristic elements without overwhelming the listener. I opened my December with an electronica release by 4T Thieves , an EP titled Humanoid , which came out back in February 2018. A brief profile and the project’s track record can be found on RYM or Last.fm , and it’s clear that this act has been active since the 90s, although only arriving on Bandcamp around 2018. Humanoid by 4T Thieves As the name suggests, Humanoid presents a modern environment tinged with a futuristic sci-fi atmosphere, supported by drum work leaning toward IDM and prominent synth/bass that paints the image of a future city gate on “ Elemental .” This is followed by “ Codex ,” which is given a special dose of classic IDM-style glitch effects , and the rest continues into “ The Looking Glass ,” which gives off a nighttime-shadow feel through its slightly dark synth melodies. “Band...