Skip to main content

Power/Thrash Metal: Artifact - Reverse Driver (2015)

66 / 100
South Korea’s Artifact blends power, thrash, and groove metal, but shines brightest when leaning into heavier thrash/groove/death territory. So it's a mixed debut with clear potential if they embrace their heavier side.
Artifact, an unexpectedly emerging power/thrash metal band from the land of ginseng, marks the continued journey of JY-Queen. Here, she takes the lead and brings back the raspy vocal style from her previous band, Silent Eye. Alongside JY-Queen is Ahn Hyeon-Su, guitarist of Dark Ages, who serves as a seasoned figure, while the remaining three members appear to be newcomers or have unknown tracks.

Compared to the lead vocalists of similar bands, JY-Queen’s voice only truly comes alive on the EP’s title track, "Reverse Driver," where the thrash/groove/death metal atmosphere reminiscent of Silent Eye is most apparent. Elsewhere, the vocals lean toward drunken-sounding raspiness, occasionally pressed into growls, with music that tends to be mediocre in tempo and intensity. Ahn Hyeon-Su’s influence also stands out, especially in "Dooms Land" and "M," where a classic heavy metal vibe is clearly present. Meanwhile, the power metal elements are limited—appearing only as an intro and a guitar solo on "Green Pig," which briefly reminded me of Lovebites.

Ultimately, it would be much better for the band to pursue a thrash/groove/death metal direction, which would better showcase the strengths of its members—particularly JY-Queen. If I had to choose, "Green Pig" stands out compositionally, while "Reverse Driver" serves as the band’s unleashed beast.

[The review also posted on Metal Archives.]

Comments

Popular posts from this blog

Breakcore: Subheroine - End. (2025)

77 / 100 End. is Subheroine ’s most immersive and emotionally textured work yet ... Is being a week late enough to make a new release feel cold and stale? Maybe it’s the effect of our fast-paced modern world and the FOMO trend. Who knows. Whatever. Alright then, let’s welcome a new breakcore/drum & bass album (though it runs under 30 minutes) from Subheroine : End. ! End. by SUBHEROINE Released just on November 7 via Japan’s veteran breakcore label, Lost Frog Productions , End . delivers a noticeably more atmospheric vibe this time. So, tagging it as atmospheric drum & bass makes perfect sense, while the “depressive” tag seems to apply only to the cover art. But is that really the case? As always, there are surprises when reviewing music—those unexpected moments that make certain tracks sound more intriguing than expected. The most prominent depressive elements appear in the sampled voice of an anime girl sounding shocked or weakened in...

Electronica/IDM: 4T Thieves - Humanoid (2018)

70 / 100 Humanoid is a compact and tastefully crafted slice of IDM-leaning electronica that blends futuristic elements without overwhelming the listener. I opened my December with an electronica release by 4T Thieves , an EP titled Humanoid , which came out back in February 2018. A brief profile and the project’s track record can be found on RYM or Last.fm , and it’s clear that this act has been active since the 90s, although only arriving on Bandcamp around 2018. Humanoid by 4T Thieves As the name suggests, Humanoid presents a modern environment tinged with a futuristic sci-fi atmosphere, supported by drum work leaning toward IDM and prominent synth/bass that paints the image of a future city gate on “ Elemental .” This is followed by “ Codex ,” which is given a special dose of classic IDM-style glitch effects , and the rest continues into “ The Looking Glass ,” which gives off a nighttime-shadow feel through its slightly dark synth melodies. “Band...

Listening Notes: Playlist Clearance Vol. 1

If a store has a term called clearance sale, then I have a new agenda called playlist clearance . This agenda is meant to clean up releases sitting on my playlist shelves—sometimes for months—without any written listening notes. This matters a lot to me personally, since I prefer listening to music offline rather than streaming, even though platforms like Spotify also offer offline features. I’m already too used to downloading music, even if it means I’ll probably never really get into mainstream artists, which automatically reduces public attention. Hahaha… As for that issue, I do have my own alternative—but for now, I don’t yet have a map to avoid being overwhelmed and confused when diving into streaming platforms just to consume popular releases. Alright, back to cleaning up the playlist. What’s in here this time? Let’s take a look! Abraham – Débris de mondes perdus (2022) 73% Sometimes music can feel like a stab—or a cause of headache—like this fourth album from Sw...