Skip to main content

Rapid Log: 014

Rapid Log 14 features five releases in the black metal realm. Here's the list:

The Breaching Experience - Dark Resonance (2024)

Production: 7.5/10
Composition: 6.5/10
Tracklist:
1. Mute 4/10
2. Subexistence 6/10
3. Appassionato della Morte 6.5/10
4. Melanchology 7/10
5. Gjöll 6.5/10
6. Dödveden 6.5/10
7. The Holobiont 6/10
8. Abystopian Smile 6/10
OVERALL: 60/100

Ingrain - Aembers (2015)

Production: 9/10
Composition: 8.5/10
Tracklist:
1. Bramm 7/10
2. Fragmented Mind 7/10
3. Firmament 7.5/10
4. To see 7.5/10
5. Outro 8/10
6. Voidd (bonus) 7.5/10
OVERALL: 80-/100

Kuolevan Rukous - Demo 2023 (2023)

Production: 8/10
Composition: 7.5/10
Tracklist:
1. Trägheit 7/10
2. Scherbenschmelze 6.5/10
3. Verblichen 7/10
4. Tempelschlaf 7.5/10
5. Niederungen 6.5/10
OVERALL: 70+/100

Lightlorn - At One with the Night Sky (2023)

Production: 9/10
Composition: 8/10
Tracklist:
1. Amongst stellar remnants 7.5/10
2. A tragedy in starlight 8/10
3. Dimensionless blackness 8/10
4. Ghostly soliloquies 7.5/10
5. Of longing spirit and infinite solitude 8.5/10
6. Spiral arms like swirling rivers 7.5/10
7. Earthbound 7.5/10
OVERALL: 80/100

Vagrond - Caliginous (2011)

Production: 5.5/10
Composition: 7/10
Tracklist:
1. I 5/10
2. II 7/10
3. III 5/10
4. IV 7/10
OVERALL: 60/100

Comments

Black metal isn't always produced cleanly. Rough, rusty, jagged textures, even excessive noise, have become iconic in their own right. Of the five bands above, Vagrond presents a sound dominated by a somewhat rough atmospheric layer, still within tolerable levels, though not quite atmospheric black metal yet. Then The Breaching Experience offers more standard quality, but the output volume still feels lacking—you need to turn it up on whatever app you're using. Kuolevan Rukous leans closer to black/doom/sludge metal, with riffing at a heavy pace that has its own potential compared to the two bands above.

Meanwhile, Ingrain and Lightlorn, with their post-black metal style, have the most optimal recording quality, allowing you to focus on emotion and atmosphere. Ingrain uses more energetic riffing with progressive touches and adds clean vocals in the vein of Alcest, but personally, I prefer the melancholic night-time atmosphere at fairly standard/up-tempo pace from Lightlorn.

So, I think readers can get a rough idea of these five bands. If you like post-black metal, go for Ingrain and Lightlorn; if you prefer lo-fi or standard black metal, there's Vagrond and The Breaching Experience; and Kuolevan Rukous for those leaning toward the doom/death/sludge metal edge.

That's all.

Comments

Popular posts from this blog

Breakcore: Subheroine - End. (2025)

77 / 100 End. is Subheroine ’s most immersive and emotionally textured work yet ... Is being a week late enough to make a new release feel cold and stale? Maybe it’s the effect of our fast-paced modern world and the FOMO trend. Who knows. Whatever. Alright then, let’s welcome a new breakcore/drum & bass album (though it runs under 30 minutes) from Subheroine : End. ! End. by SUBHEROINE Released just on November 7 via Japan’s veteran breakcore label, Lost Frog Productions , End . delivers a noticeably more atmospheric vibe this time. So, tagging it as atmospheric drum & bass makes perfect sense, while the “depressive” tag seems to apply only to the cover art. But is that really the case? As always, there are surprises when reviewing music—those unexpected moments that make certain tracks sound more intriguing than expected. The most prominent depressive elements appear in the sampled voice of an anime girl sounding shocked or weakened in...

Electronica/IDM: 4T Thieves - Humanoid (2018)

70 / 100 Humanoid is a compact and tastefully crafted slice of IDM-leaning electronica that blends futuristic elements without overwhelming the listener. I opened my December with an electronica release by 4T Thieves , an EP titled Humanoid , which came out back in February 2018. A brief profile and the project’s track record can be found on RYM or Last.fm , and it’s clear that this act has been active since the 90s, although only arriving on Bandcamp around 2018. Humanoid by 4T Thieves As the name suggests, Humanoid presents a modern environment tinged with a futuristic sci-fi atmosphere, supported by drum work leaning toward IDM and prominent synth/bass that paints the image of a future city gate on “ Elemental .” This is followed by “ Codex ,” which is given a special dose of classic IDM-style glitch effects , and the rest continues into “ The Looking Glass ,” which gives off a nighttime-shadow feel through its slightly dark synth melodies. “Band...

Psychedelic Rock, Experimental: 32 Partials - In Degradation (Part I + II) (2017)

76 / 100 A dual-EP venture that expands 32 Partials ’ sonic universe, In Degradation showcases both their desert-tinged psych rock and a bold leap into experimental ambient/noise. The journey of 32 Partials continues with a descent into desert territory in In Degradation (Part I) , accompanied by an experimental/noise backsound presented separately in In Degradation (Part II) . Both were created during the summer and released together at the end of August 2017. Each EP contains three tracks, so I figured it would be more efficient to summarize them in one review instead of two. In Degradation (Part II) by 32 Partials What’s presented first is a Middle Eastern–styled rock performance using bouzouki and flanged guitar without distorted accompaniment, making it less clearly aligned with desert/stoner rock . The same goes for the two psychedelic rock tracks that follow—they don’t feature synths as strongly as the previous release, but overall t...